Theatre: Les Miserables (December 2001)



Les Misérables (nicknamed known in English-speaking countries as Les Mis or Les Miz), is a sung-through musical based on the novel Les Misérables by French poet and novelist Victor Hugo. It premiered in Paris in 1980 but only ran for three months; however, the London production has run continuously since October 1985, making it the longest-running musical in the West End and the second longest-running musical in the world after the original Off-Broadway run of The Fantasticks.

Set in early 19th-century France, it is the story of Jean Valjean, a French peasant, and his quest for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister's starving child. Valjean decides to break his parole and start his life anew after a kindly bishop inspires him by a tremendous act of mercy, but he is relentlessly tracked down by a police inspector named Javert. Along the way, Valjean and a slew of characters are swept into a revolutionary period in France, where a group of young idealists make their last stand at a street barricade.

In 1983, about six months after producer Cameron Mackintosh had opened Cats on Broadway, he received a copy of the French concept album and asked to adapt it in English. Mackintosh, in conjunction with the Royal Shakespeare Company, assembled a production team to adapt the French musical for a British audience. 

The Broadway production opened 12 March 1987 and ran until 18 May 2003, closing after 6,680 performances. It is the fifth longest-running Broadway show in history and was the second-longest at the time. The show was nominated for 12 Tony Awards and won eight, including Best Musical and Best Original Score. A Broadway revival opened in 2006 at the Broadhurst Theatre and closed in 2008, and a second Broadway revival opened in 2014 at the Imperial Theatre and closed in September 2016. A film version starring Anne Hathaway, Hugh Jackman, Russell Crowe, Eddie Redmayne, Amanda Seifreid, Helena Bonham Carter, and Sasha Baron Cohen was released at the end of 2012 to generally positive reviews as well as numerous awards nominations, winning three Academy Awards, three Golden Globe Awards and four British Academy Film Awards (BAFTA).

The musical's emblem is a picture of the waif Cosette sweeping the Thénardiers' inn (which occurs in the musical during "Castle on a Cloud"), usually shown cropped to a head-and-shoulders portrait superimposed on the French flag.

Act I

In 1815, the prisoners work at hard labour ("Work Song"). After 19 years in prison (five for stealing bread for his starving sister's son and her family, and the rest for trying to escape), Jean Valjean, "prisoner 24601", is released on parole by the policeman Javert. By law, Valjean must display a yellow ticket-of-leave, which identifies him as an ex-convict ("On Parole"). As a convict, Valjean is shunned wherever he goes and cannot find regular work with decent wages or lodging, but the Bishop of Digne offers him food and shelter. Desperate and embittered, Valjean steals the Bishop's silver and flees. He is captured by the police, but rather than turn him in, the Bishop lies and tells the police that the silver was a gift, giving Valjean a pair of silver candlesticks in addition. The Bishop tells Valjean that he must use the silver "to become an honest man" and that he has "bought (Valjean's) soul for God" ("Valjean Arrested, Valjean Forgiven"). Ashamed and humbled by the Bishop's kindness, Valjean resolves to redeem his sins ("Valjean's Soliloquy" / "What Have I Done?"). He tears up his yellow ticket, breaking his parole but giving himself a chance to start a new life free from the stigma of his criminal past.

Eight years later, in 1823, Valjean has assumed a new identity as Monsieur Madeleine, a wealthy factory owner and mayor of Montreuil-sur-Mer. Fantine is a single mother working in his factory, trying to support her daughter Cosette, who is being raised by an innkeeper and his wife while Fantine labors in the city. Unbeknownst to Valjean, the factory foreman lusts after Fantine, and when she rejects his advances, he takes it out on the other workers, who resent her for it. One day, a coworker steals a letter about Cosette from Fantine, revealing to the other workers that Fantine has a child. A fight breaks out, and the foreman and other workers uses the incident as a pretense to fire Fantine ("At the End of the Day"). Fantine reflects on her broken dreams and about Cosette's father, who abandoned them both ("I Dreamed a Dream"). Desperate for money, she sells her locket and hair, finally becoming a prostitute ("Lovely Ladies"). When she fights back against an abusive customer, Bamatabois, Javert, now a police inspector stationed in Montreuil-sur-Mer, arrives to arrest her. But Valjean, passing by the scene, pities Fantine, and when he realizes she once worked for him and that she blames him for her misfortune, he is guilt-stricken. He orders Javert to release her and take her to a hospital ("Fantine's Arrest").

Soon afterwards, Valjean rescues a man pinned by a runaway cart ("The Runaway Cart"). Javert, who has up until now not recognized Valjean, though he has pursued him as a fugitive all these years, witnesses the incident and becomes suspicious, remembering the incredible strength Valjean displayed in the work camp. But it turns out another man has been arrested, and is about to go to trial for breaking parole. The real Valjean realizes that this case of mistaken identity could free him forever, but he's not willing to see an innocent man go to prison in his place and so confesses his identity to the court ("Who Am I?—The Trial"). At the hospital, a delirious Fantine dreams of Cosette. Valjean promises to find Cosette and protect her ("Come to Me" / "Fantine's Death"). Relieved, Fantine succumbs to her illness and dies. Javert arrives to take Valjean back into custody, but Valjean asks Javert for time to fetch Cosette. Javert refuses, insisting that a criminal like Valjean can never change or do good. They struggle, but Valjean overpowers Javert and escapes ("The Confrontation").

In Montfermeil, the duplicitous innkeepers, the Thénardiers, use Cosette as a servant and treat her cruelly while extorting money from Fantine by claiming that Cosette is regularly and seriously ill, as well as demanding money to feed and clothe Cosette, all the while indulging their own daughter, Éponine. Cosette dreams of a life with a mother where she is not forced to work and is treated lovingly ("Castle on a Cloud"). The Thénardiers cheat their customers, stealing their possessions and setting high prices for low-quality service, and live a life of criminal depravity ("Master of the House"). Valjean meets Cosette while she's on an errand drawing water and offers the Thénardiers payment to adopt her ("The Bargain"). The Thénardiers feign concern for Cosette, claiming that they love her like a daughter and that she is in fragile health, and bargain with Valjean, who pays them 1,500 francs in the end. Valjean and Cosette leave for Paris ("The Waltz of Treachery").

Nine years later, in 1832, Paris is in upheaval because of the impending death of General Lamarque, the only man in the government who shows mercy to the poor. Among those mingling in the streets are the student revolutionaries Marius Pontmercy and Enjolras, who contemplate the effect Lamarque's death will have on the poor and desperate in Paris; the Thénardiers, who have since lost their inn and now run a street gang; their daughter Éponine, who is now grown and has fallen in love with Marius (who is oblivious to her affections); and the streetwise young urchin Gavroche, who knows everything that happens in the slums ("Look Down"). The Thénardiers prepare to con some charitable visitors, who turn out to be Valjean and Cosette, who has grown into a beautiful young woman. While the gang bamboozles her father, Cosette runs into Marius, and the pair fall in love at first sight. Thénardier suddenly recognizes Valjean, but before they can finish the robbery, Javert, now an inspector stationed here in Paris, comes to the rescue ("The Robbery"). Valjean and Cosette escape, and only later (when Thénardier tips him off) does Javert suspect who they were. Javert makes a vow to the stars (which represent his belief in a just and ordered universe where suffering is a punishment for sin) that he will find Valjean and recapture him ("Stars"). Meanwhile, Marius persuades Éponine to help him find Cosette ("Éponine's Errand").
At a small café, Enjolras exhorts a group of idealistic students to prepare for revolution. Marius interrupts the serious atmosphere by fantasizing about his new-found love, much to the amusement of his compatriots, particularly the wine-loving Grantaire ("The ABC Café—Red and Black"). When Gavroche brings the news of General Lamarque's death, the students realize that they can use the public's dismay to incite their revolution and that their time has come ("Do You Hear the People Sing?"). At Valjean's house, Cosette thinks about her chance meeting with Marius and later confronts Valjean about the secrets he keeps about his and her own past ("Rue Plumet—In My Life"). Éponine leads Marius to Valjean's house (despite being heartbroken that he has fallen in love with another), and he and Cosette meet again and confess their mutual love ("A Heart Full of Love"). Thénardier and his gang arrive, intending to rob Valjean's house, but Éponine stops them by screaming a warning ("The Attack on Rue Plumet"). The scream alerts Valjean, who believes that the intruder was Javert. He tells Cosette that it's time once again for them to go on the run, and starts planning for them to flee France altogether.

On the eve of the 1832 Paris Uprising, Valjean prepares to go into exile; Cosette and Marius part in despair; Enjolras encourages all of Paris to join the revolution as he and the other students prepare for battle; Éponine acknowledges Marius will never love her; Marius is conflicted whether to follow Cosette or join the uprising; Javert reveals his plans to spy on the students; and the Thénardiers scheme to profit off the coming violence. Marius decides to stand with his friends, and all anticipate what the dawn will bring ("One Day More").

Act II

As the students build a barricade to serve as their rally point, Javert, disguised as a rebel, volunteers to "spy" on the government troops. Marius discovers that Éponine has disguised herself as a boy to join the rebels and sends her to deliver a farewell letter to Cosette. ("Building the Barricade—Upon These Stones") Valjean intercepts the letter and learns about Marius and Cosette's romance. Éponine walks the streets of Paris alone, imagining that Marius is there with her, but laments that her love for Marius will never be reciprocated ("On My Own").

The French army arrives at the barricade and demands that the students surrender ("At the Barricade—Upon These Stones"). Though Javert tells the students that the government will not attack that night ("Javert's Arrival"), Gavroche recognises him and quickly exposes him as a spy, and the students detain Javert ("Little People"). Their plan is to spark a general uprising with their act of defiance, hoping that all the people of Paris will side with them and overwhelm the army. Éponine returns to find Marius but is shot by the soldiers crossing the barricade. As Marius holds her, she assures him that she feels no pain and reveals her love for him before dying in his arms ("A Little Fall of Rain"). The students mourn this first loss of life at the barricades and resolve to fight in her name, and they carry her body away while Enjolras attempts to comfort Marius, who is heartbroken over Éponine's death. Valjean arrives at the barricade, crossing the government lines, disguised as a soldier ("Night of Anguish"), hoping that he might somehow protect Marius in the coming battle for Cosette's sake. The rebels are suspicious of him at first, but when the army attacks, Valjean saves Enjolras by shooting at a sniper and scaring him off, and they accept him as one of them. In return, he asks Enjolras to be the one to execute the imprisoned Javert, which Enjolras grants. But as soon as Valjean and Javert are alone, Valjean frees Javert. Javert warns Valjean that he will not give up his pursuit and rejects what he perceives as a bargain for Valjean's freedom. Valjean says there are no conditions to his release, and holds no ill-will toward Javert for doing his duty. ("The First Attack").

The students settle down for the night and reminisce about the past while also expressing anxiety about the battle to come. Enjolras tells the other students to stay awake in case the enemy strikes unexpectedly in the night, but he tells Marius to get some sleep, knowing Marius is still much too devastated over losing Éponine to stay awake. Grantaire gets angry and asks the students if they fear to die as Marius wonders if Cosette will remember him if he dies. ("Drink with Me"). As Marius sleeps, Valjean prays to God to protect Marius, even if the cost for Marius' safety is his own life ("Bring Him Home"). As dawn approaches, Enjolras realizes that the people of Paris have not risen up with them, but resolves to fight on in spite of the impossible odds ("Dawn of Anguish"). Their resolve is fired even further when the army kills Gavroche, who snuck out to collect ammunition from bodies on the other side of the barricade ("The Second Attack / Death of Gavroche"). The army gives a final warning, but the rebels fight to the last man with Enjolras exhorting "Let others rise to take our place, until the Earth is free!". Everyone at the barricade is killed except Valjean and a gravely wounded Marius, who escape into the sewers ("The Final Battle"). Javert returns to the barricade, searching for Valjean amongst the bodies, and finds the open sewer grating.

Valjean carries Marius through the sewers but collapses in exhaustion. While he is unconscious, Thénardier, who has been looting bodies ("Dog Eats Dog"), comes upon them and takes a ring from the unconscious Marius, but flees when Valjean (whom he again recognizes) regains consciousness. When Valjean carries Marius to the sewer's exit, he finds Javert waiting for him. Valjean begs Javert for one hour to bring Marius to a doctor, and Javert reluctantly agrees. Javert finds himself unable to reconcile Valjean's merciful acts with his conception of Valjean as an irredeemable criminal. Refusing to compromise his principles but no longer able to hold them sacred, he finds himself torn between his beliefs about God and his desire to adhere to the law and commits suicide by throwing himself into the Seine ("Soliloquy – Javert's Suicide").

In the wake of the failed revolution, women mourn the deaths of the students ("Turning") and Marius, wounded but alive, despairs at the sacrifice of so many lives and at the death of his friends while he survives ("Empty Chairs at Empty Tables"). As he wonders who saved his own life, Cosette comforts him, and they reaffirm their blossoming romance. Valjean realises that Cosette will not need him as a caretaker once she's married and gives them his blessing ("Every Day"). Valjean confesses to Marius that he is an escaped convict and must go away because his presence endangers Cosette ("Valjean's Confession"), making Marius promise never to tell Cosette. A few months later, Marius and Cosette marry ("Wedding Chorale"). The Thénardiers crash the reception disguised as nobility and attempt to blackmail Marius, telling him that Valjean is a murderer and that Thénardier saw him carrying a corpse in the sewers after the barricades fell. When Thénardier shows him the ring as proof, Marius realizes that it was Valjean who saved his life. The newlyweds leave to find Valjean (in some productions, Marius pauses to give Thénardier a punch in the face). The Thénardiers are not discouraged, instead gloating that their craven practicality has saved their lives time and time again ("Beggars at the Feast").
At a convent, Valjean awaits his death, having nothing left to live for. The spirit of Fantine appears to him and tells him that he has been forgiven and will soon be with God. Cosette and Marius arrive to find Valjean near death. Valjean thanks God for letting him live long enough to see Cosette again, and Marius thanks him for saving his life. ("Epilogue – Valjean's Death"). Valjean gives Cosette a letter confessing his troubled past and the truth about her mother. As he dies, the spirits of Fantine and Éponine guide him to Heaven reminding him that "to love another person is to see the face of God." They are joined by the spirits of those who died at the barricades, who sing that in the next world, God lays low all tyranny and frees all oppressed people from their shackles ("Do You Hear the People Sing? (Reprise)").


Theatre: Contact (October 2001)



Contact is a musical "dance play" that was developed by Susan Stroman. It ran both off-Broadway and on Broadway in from 1999 until 2002. It consists of three separate one-act dance plays. It premiered in 1999 and played for 1,010 performances. The show won the 2000 Tony Award for Best Musical (among others). The award was controversial because Contact contains no original music or live singing, and in response, a new award for Best Special Theatrical Event was introduced the following year.

The musical was inspired by an experience that Stroman had "... when she visited a dance club in the Meat Market district. There she witnessed a fascinating woman in a yellow dress (it was a very bold color to wear at night—lemon yellow—the same color you find on a traffic light) who took turns dancing with different partners throughout the night. Watching from the sidelines, Stroman thought, 'she's going to change someone's life tonight'”. "The woman would step up to the dance floor as a song was beginning and nod or shake her head at the various men asking to be her partner. Then, after holding everyone's attention with her nervy grace, she would disappear into the crowd. What came out of this was Contact...

Contact is made up of three separate dance pieces, each set to pre-recorded music, including from Tchaikovsky, Stéphane Grappelli, the Squirrel Nut Zippers, Royal Crown Revue, and The Beach Boys. In each story, the central character expresses a longing to make a romantic connection. All three stories concern "contact", or its lack.

Part One - "Swinging"

"Swinging", set in an 18th-century French forest clearing, can be described as a contact improvisation on Fragonard's The Swing, a print of which is displayed on an easel when the audience arrives. Sex and concealed identity are involved in this piece of amoral intrigue - a servant and his master each seeks the young lady's affection. Much of the action takes place on a moving swing.

Part Two - "Did You Move?"

"Did You Move?", set in circa 1954 in Queens, New York, takes place in an Italian restaurant, focusing on the empty marriage of a small-time gangster and his wife. The wife has extensive dance sequences as she fantasizes about escaping her verbally abusive spouse, but each time is returned rudely to reality. Set to recorded orchestral music of Tchaikovsky and Grieg.

Part Three - "Contact"

"Contact" is set in contemporary time, and explores the emptiness of the career-driven lives of Manhattan apartment dwellers. A lonely advertising executive on the brink of suicide is somehow transported to a bar, where he encounters a stunning woman in a yellow dress. To win her and take control of his life, he must gain the confidence to make contact with another human being. It helped to create a surge of interest in acrobatic and rock and roll swing dancing.


Las Vegas (September 2001)




(includes Las Vegas, Hoover Dam, Grand Canyon)

Fifth Anniversary Trip
  • Day 1: Pennsylvania to Las Vegas
                      Mirage Hotel and Casino Link to my review
  • Day 2: Las Vegas
                     Mirage Hotel and Casino
Lunch at Canaletto Ristorante Veneto Link to my review

                     Show: Siegfried and Roy
Dinner at Renoir Link to my review

  • Day 3: Las Vegas
                      Mirage Hotel and Casino
Lunch at the Border Grill Link to my review
                      Show: Cirque du Soleil's "O"
  • Day 4: Las Vegas to Hoover Dam to Grand Canyon (driving)
    Dinner at California Pizza Kitchen Link to my review
Tip: **This is at least a 4-hour drive each way**
  • Day 5: Las Vegas to Pennsylvania
Cirque du Soleil

Really tough question! I loved both shows. O is so unique because of the water, but I liked that KA had more of a story, and the moving stage in KA was amazing. I also thought that the KA theatre was better--incredibly comfortable seats with headrests that had speakers, really enveloping you in the show. Maybe you can see which show has better seats available on the day you want to go. That's as good a way of deciding as any, because both shows are fabulous! I really can't say which I liked better.

Definitely go with the full-price seats, not the limited view. If you call for tickets, they will tell you what seats are "wet". I believe they were section 103, rows A through G. We avoided those, and sat in the section just behind (203). The wet area didn't seem to get too wet, though. I was happy with where we sat because there is so much going on that you get a better view of the whole picture. (Just FYI, I see lots of Broadway shows, and I believe the best seats are 8 to 10 rows from the front--definitely not front row. I like to sit a little farther back.) There's a great seat map available on-line at www.cirquedusoleil.com. I wouldn't pay for the "green" or "purple" sections--they are just too far away. Spend the extra money--and it's not that much more--for the better seats. This is both the BEST and the most bizarre show I have ever seen. It is amazing and completely unique, and I wouldn't hesitate to see it again.