The museum space occupies two floors of two separate buildings: the 1916 beau-arts building and the north building. In January of 2014, a new set of galleries housing Southeast Asian, Indian, Chinese, and Himalayan art is scheduled to open. There are two upper-level outdoor balconies at either end of the 1916 building, should you need some fresh air, and the seasonal south entrance leads out to a pretty pond with a fountain. Restrooms and water fountains are spaced throughout the museum, and there is an ATM machine and coat check available near the main entrance. The museum store sells interesting souvenirs. The basement level of the north building holds classrooms, lecture, recital, and exhibition halls. It was easy to move through the museum without feeling like you missed anything, and without needing to do a lot of backtracking to view things that you missed. The artwork was well curated - in addition to just listing the objective information such as the name of the artist and the title of the work, the curator included interesting subjective information about each piece.
We enjoyed the Impressionist collection the most at this museum, although we also found the Chinese zodiac sculptures in the main atrium (and the atrium itself) very intriguing. The CMA owns an impressive number of Picassos for a museum of this size. We are glad that we invested the (slight) effort to travel from the downtown area, because we loved the museum.
