Showing posts with label Broadway. Show all posts
Showing posts with label Broadway. Show all posts

Theatre: Life x 3 (May 2003)

Trois versions de la vie (literally Three versions of life) is the fifth play (written in 2000) by French writer Yasmina Reza. Its English translation under the title Life x 3, premiered in 2000.
Life x 3 is a slice-of-life affair that shows three different views of the same event. The events covered in it are seen three times over, each instant replay viewed from a slightly different angle. To underline this aspect of the 90-minute script, the setting of a contemporary living-room (including a divan, a chaise, and a number of children's toys) shifts position. 

The topic that Reza raises and pretends to address in some depth is marriage. The two couples she introduces as representatives of the beset institution are both having a tough go. In the midst of an evening at home, former lawyer Sonia (Helen Hunt) and astrophysicist Henry (John Turturro) cannot get their obstreperous six-year-old off to sleep. The argument they have about the best approach to quieting the whiny tyke, whose annoying presence is sound designer Christopher T. Cronin's achievement, reaches a nasty peak just as Hubert (Brent Spiner) and Inez (Linda Emond) show up for a dinner that Sonia and Henry have completely forgotten was on the agenda. 

When the four unfed diners settle in as much as they can with a child carrying on elsewhere in the house, they try to act as if all is peachy. They do not succeed. Despite the flowing Sancerre, or maybe because of it, Hubert brings into the awkward conversation a scientific paper he's learned about that might preempt a similar article being prepared by Henry. Hearing about this, Henry becomes increasingly agitated; he needs the paper he's publishing after a three-year lull to make a splash so that he can get a promotion. His display of nerves provokes an edgy response from Sonia, who disdains her husband's obsequious behavior around Hubert. The charged atmosphere also upsets Inez, a woman extremely distressed by her husband's treatment of her at parties. Within a short time, the four dispirited partygoers are on an attack-and-defend spree. The gathering turns into a hostess's nightmare: too little food and too much dissension. 

Reza's objective must have been to create a hard-hitting picture of marital tension. In her introductory scene, she does so with fast strokes. The first line of dialogue is "He wants a cookie" and it instantly has the audience chuckling -- especially as spoken through clenched teeth by John Turturro, a master of clenched-teeth proclamation. Even Turturro's hair seems, as always, to be clenched. Sonia's response, "He just brushed his teeth," touches off more chuckles thanks to one of Helen Hunt's signature declarative readings. Reza immediately proves that she can pull an audience in: As she piles resentment on aggravation, she paints the recognizable picture of a couple running out of patience with each other and a second couple demonstrating the deleterious effects of connubial stress. In his role as Hubert, Brent Spiner is quietly unctuous. Linda Emond, with streaked hair and a dull brown suit (Thompson also did the costumes), is thoroughly convincing as a woman who has a run in her stockings and cannot stop thinking about it. 

Having hurled her characters at each other, Reza runs the same basic scenario twice more, with only music and lights to separate the inconclusive vignettes. Once again, Sonia and Henry are annoyed with each other when Hubert and Inez show up unexpectedly. But during the second and third go-round, Hubert becomes romantically turned on by Sonia and she's reluctant to give in only because she does not want to be caught; the two of them have apparently been sharing a fling that is not mentioned initially. Then, Sonia seems disinclined to give the smug Hubert the time of day, much less a surreptitious smooch. As scenes two and three play out, Henry is less overtly concerned about the threatening article, and the off-stage kid is less and less intrusive. The only sounds coming from the previously obstreperous Henry are muted pleasantries and the only sounds coming from the boy's room are the soothing murmurs of a Fox and the Hound cassette.

Reza is showing three moderately different versions of the same disturbing scene as a tease for the audience, subliminally challenging us to examine our own responses to each of the scenes and to decide which version is the one we believe to be the episode that actually takes place. She seems to be saying that whichever one chooses implies a negative or positive attitude towards life.




Theatre: Proof (September 2002)



Proof opened on Broadway in 2000 and won the 2001 Pulitzer Prize for Drama and Tony Award for Best Play. The play concerns Catherine, the daughter of Robert, a recently deceased mathematical genius in his fifties and professor at the University of Chicago, and her struggle with mathematical genius and mental illness. Catherine had cared for her father through a lengthy mental illness. Upon Robert's death, his ex-graduate student Hal discovers a paradigm-shifting proof about prime numbers in Robert's office. The title refers both to that proof and to the play's central question: Can Catherine prove the proof's authorship? Along with demonstrating the proof's authenticity, the daughter also finds herself in a relationship with 28-year-old Hal. Throughout, the play explores Catherine's fear of following in her father's footsteps, both mathematically and mentally and her desperate attempts to stay in control.

Act I

The play opens with Catherine sitting alone in the backyard of her large, old house. Robert, her father, approaches her with a bottle of champagne to celebrate her 25th birthday. Catherine complains that she has not done any worthwhile work in the field of mathematics, at least not to the same level as her father, a well-known math genius. He reassures her that she can still do good work as long as she stops lying in bed till all hours and wasting time reading magazines. Catherine confesses she's worried about inheriting Robert's inclination towards mental instability. He begins to comfort her but then alludes to a "bad sign" when he points out that he is, in fact, dead. He died a week ago. Robert disappears as Catherine dozes off. She awakens when Hal, one of Robert's students, exits the house. He's been studying the hundreds of notebooks Robert left behind after his death, looking for any work that could be published. Catherine assures him that the notebooks are filled with scribbles and nonsense since her father wrote them when he was at his most delusional. Hal, attempting to flirt, invites her to go see his band later that night. Catherine becomes suspicious of him and demands to see what's in his backpack. She roots through it to find nothing but becomes infuriated when a notebook falls out of Hal's jacket. She dials the police while accusing him of trying to steal her father's work and pass it off as his own. He admits that he was sneaking it away but only to give it back to her later as a birthday present. He opens to a page that Robert wrote during a time when he was lucid. In it, Robert writes it's a "good day" and thanks to Catherine for taking care of him and expresses hope for the future. Hal leaves Catherine with the notebook. She begins to cry until she hears police sirens.

The next day Claire, Catherine's sister who just flew in from New York, is setting up a large brunch for them in the backyard. Catherine enters and Claire tries to goad her into idle chitchat as Catherine quietly seethes. Claire declares she's getting married and invites Catherine to stay with her and her fiance in New York. Catherine assures her she will come in January for the wedding, but Claire keeps pressing her to go earlier. When Catherine demands to know why Claire is inundating her with questions, Claire tells her the police came over earlier to check in on Catherine. Catherine admits to calling the police the previous night and tries to explain her altercation with Hal but only ends up sounding unhinged to the dubious Claire. Hal appears and asks to continue his work sorting the notebooks. Catherine lets him inside and Claire drops a hint for Catherine to try flirting with Hal by offering a bagel. Catherine storms into the house.

Later that night, after the funeral, Claire holds a party in the house for her friends as well as Hal and Robert's students. Catherine escapes to the porch where Hal finds her and offers her a beer. Hal confesses that he's not so sure about his own mathematical abilities since he considers math to be a "young man's game". Catherine tries to reassure him with a quote from Gauss. Hal responds by kissing her, much to Catherine's surprise. He apologizes for trying to steal the notebook and she apologizes for calling the police. They kiss again and Hal asks Catherine if she remembers meeting him years earlier. She says she does and recalls she thought he was "not boring". They continue to kiss.

The next morning Catherine sits outside. Hal exits the house and tells her he would like to spend the rest of the day with her. Catherine gives him a key to Robert's desk and tells him to look inside. He goes into the house. A moment later, Claire comes into the backyard, extremely hungover. Catherine, now in a good mood, tries to make nice with Claire. Claire takes the opportunity to continue to push Catherine to moving to New York. Catherine asks why she would move to New York to which Claire confesses that she's selling the house. Catherine becomes enraged at the idea and she accuses Claire of abandoning her to take care of their sick father alone. Claire insists that the reason she did so was to keep working to pay for the house as well as Catherine's education. Catherine reveals that she had to quit school to tend to Robert and then accuses Claire of trying to have her committed. Claire admits that she's researched doctors and facilities for Catherine but insists that she was not planning on having her committed. In the middle of the row, Hal appears clutching a notebook, barely containing his excitement. He tells Claire that Catherine is in possession of one of Robert's notebooks which holds a very important proof. Claire asks Catherine where she found it and Catherine tells them she did not find it. She wrote it.

Act II

We flashback to years earlier, with Robert sitting in the backyard. Catherine tells him she thinks he's getting better and he agrees. She blurts out that she's decided to go to college in a couple months, funded by Claire, but promises she will be only a short drive away if he were to need her again. Robert protests and demands to know why she waited so long to tell him. When she points out that he had not been well until recently and was, at one point, trying to decode extraterrestrial messages in library books, he becomes upset. Hal interrupts, much to his embarrassment, to present his final dissertation to Robert. Robert assures him they will work out the problem points together, then suddenly realizes he's forgotten Catherine's birthday. He apologizes and offers to take her out to dinner. Catherine invites Hal along but he says he cannot go. Catherine shows Hal out and Robert sits down to write a notebook entry, declaring it to be a "good day".

We flash forward to where Act I left off. Catherine declares she was the one who wrote the proof and is met with incredulity by both Hal and her sister. The handwriting is very much like Robert's and Hal questions Catherine's mathematical abilities given that she only had a few months' education at Northwestern. Catherine tells him that her real education was living with Robert. When Hal offers to show it to other math experts to confirm the authenticity of the proof, Catherine refuses. She tells Hal she trusted him and then accuses him of having no talent and being past his prime. Hal storms off and Catherine begins to rip the notebook apart. Claire gets it away from her and Catherine runs into the house.

Later, Hal attempts to visit Catherine and apologize for his behavior. Claire stops him and tells him Catherine will not talk to her, let alone Hal. Claire accuses him of sleeping with Catherine despite her being unstable. Hal argues that he had no bad intentions and insists Catherine is stronger than Claire thinks. He requests to have the notebook to verify its authenticity with fellow mathematicians. Claire gives it to him and tells him she's taking Catherine with her to New York the next day. She expresses concern for Catherine's future mental stability.

We flashback to Robert in the backyard, sitting in the cold and writing furiously. Catherine enters and reprimands him for sitting in the cold with no jacket. Robert tells her it's too hot in the house and that the cold is better for helping him work. Catherine is shocked that he's working again and he assures her that he's sharper than ever. She's ecstatic that his previous mental instability has passed and asks to see his work. He says he would love for her to take a look and asks if she would like to take time off school to work with him. Before she decides, Robert insists she look at his latest idea and thrusts a notebook into her hands. Catherine glances at it and becomes quiet. She tells him they need to go inside and Robert explodes with fury. He yells at her to read what he's written. She reads aloud, a nonsensical, rambling paragraph about winter and books and the cold. It's obvious that Robert's mind is deteriorating as it had been before. Catherine begins to cry as Robert descends into confusion and begins to shiver uncontrollably. Catherine tries to take him inside when he asks her not to leave. She promises she will not.

We flash forward to Claire in the backyard. Catherine enters with her suitcase. She asks Claire about life in New York. Claire mentions potential schools or jobs for Catherine but Catherine is quick to mock her by making ridiculous demands for a Freudian psychiatrist who will listen as she blames all her problems on Claire. Claire begins to cry and throws Catherine's plane ticket in front of her before storming off. Hal enters and tells Catherine that the proof checks out and apologizes for not believing her. Catherine tells him there's no proof that she wrote it and he can claim it as his own if he wants. Hal tells her he believes she's the one who wrote it and offers to read through it with her. Catherine admits she knows she's like her father but is terrified of becoming like her father. Hal reassures her that maybe she will be better. Catherine opens the proof and begins to talk through it with Hal.


Theatre: The Graduate (August 2002)



The Graduate is a 1967 American romantic comedy-drama film based on the 1963 novel of the same name by Charles Webb, who wrote it shortly after graduating from Williams College. The story follows its protagonist's transition into adulthood, as it tells the story of 21-year-old Benjamin Braddock (Dustin Hoffman), a recent college graduate with no well-defined aim in life, who is seduced by an older woman, Mrs. Robinson (Anne Bancroft), and then falls in love with her daughter Elaine (Katharine Ross).

The stage production adds several scenes that are not in the novel or the film, as well as using material from both film and novel. It also uses songs by Simon & Garfunkel not used in the film, such as "Bridge Over Troubled Water" as well as music from other popular musicians from the era such as The Byrds and The Beach Boys.

The Broadway production opened at the Plymouth Theatre in 2002 and closed in 2003 after 380 performances. The play featured the cast of Jason Biggs as Benjamin Braddock, Alicia Silverstone as Elaine Robinson, and Kathleen Turner as Mrs. Robinson.

Synopsis

Benjamin Braddock, aged twenty-one, has earned his bachelor's degree from Williams College and has returned home to a party celebrating his graduation at his parents' house in Pasadena, California. Benjamin, visibly uncomfortable as his parents deliver accolades and neighborhood friends ask him about his future plans, evades those who try to congratulate him. Mrs. Robinson, the neglected wife of his father's law partner, insists that he drive her home. Benjamin is coerced inside to have a drink and Mrs. Robinson attempts to seduce him. She invites him up to her daughter Elaine's room to see her portrait and then enters the room naked, making it clear that she is available to him. Benjamin initially rebuffs her but a few days later after his scuba demonstration on his birthday, he clumsily organizes a tryst at the Taft hotel.

Benjamin spends the remainder of the summer drifting around in the pool by day, purposefully neglecting to select a graduate school, and seeing Mrs. Robinson at the hotel by night. He discovers that he and Mrs. Robinson have nothing to talk about. However, after Benjamin pesters her one evening, Mrs. Robinson reveals that she entered into a loveless marriage when she accidentally became pregnant with Elaine. Both Mr. Robinson and Benjamin’s parents encourage him to call Elaine, even though Mrs. Robinson makes her disapproval clear.

Benjamin takes Elaine on a date but tries to sabotage it by ignoring her, driving recklessly and taking her to a strip club. After Elaine runs out of the strip club in tears, Benjamin has a change of heart, realizes how rude he has been to her, and discovers that Elaine is someone with whom he is comfortable. In search of a late-night drink they visit the Taft hotel but when the staff greet Benjamin as "Mr. Gladstone" (the name he uses during his rendezvous with Mrs. Robinson) Elaine correctly guesses that he has been having an affair with a married woman and accepts his assurances that the affair is now over. To preempt a furious Mrs. Robinson, who threatens to tell Elaine her version of their affair, Benjamin tells Elaine that the married woman was her mother. Elaine is distraught and returns to Berkeley. Benjamin pursues her there and tries to talk to her. She reveals that her mother's story is that he raped her while she was drunk, and refuses to believe that it was in fact her mother who seduced Benjamin. After much discussion over several days, Benjamin begins to make inroads with Elaine. However, Mr. Robinson arrives at Berkeley after learning about the affair, confronts Benjamin at his rooming house, and threatens to put him behind bars if Benjamin sees his daughter again. Mr. Robinson then forces Elaine to drop out of college and takes her away to marry Carl, a classmate with whom she had briefly been involved.

Returning to Pasadena in search of Elaine, Benjamin breaks into the Robinson home but encounters Mrs. Robinson. She tells him he will not be able to stop the wedding and then calls the police claiming that her house is being burgled. Benjamin visits Carl’s fraternity brothers who tell him that the wedding is in Santa Barbara, California that very morning. He rushes to the church and arrives just as Elaine is married. He bangs on the glass at the back of the church and screams out "Elaine!" repeatedly. After a brief hesitation, Elaine screams out "Ben!" and starts to run toward him. A brawl ensues as guests try to stop Elaine and Benjamin from leaving together. Elaine manages to break free from her mother, who then slaps her. Benjamin manages to keep the guests at bay by jamming a large cross into the doors of the church. Both he and Elaine then run into the street to flag down a passing bus and take the back seat. Although initially elated at their victory, the pair become increasingly uncomfortable as they journey towards an uncertain future.