Theatre: Little Shop of Horrors at the Pennsylvania Playhouse (October 1999)



Little Shop of Horrors is a horror comedy rock musical, by composer Alan Menken and writer Howard Ashman, about a hapless florist shop worker who raises a plant that feeds on human blood and flesh. The musical is based on the low-budget 1960 black comedy film The Little Shop of Horrors. The music, composed by Menken in the style of early 1960s rock and roll, doo-wop and early Motown, includes several well-known tunes, including the title song, "Skid Row (Downtown)", "Somewhere That's Green", and "Suddenly, Seymour".

The musical premiered Off-Off-Broadway in 1982 before moving to the Orpheum Theatre Off-Broadway, where it had a five-year run. It later received numerous productions in the U.S. and abroad, and a subsequent Broadway production. Because of its small cast and relatively simple orchestrations, it has become popular with community theatre, school and other amateur groups. The musical was also made into a 1986 film of the same name, directed by Frank Oz.

Act I

An offstage voice recalls a time when the human race "suddenly encountered a deadly threat to its very existence". A trio of 1960s street urchins named Crystal, Ronette, and Chiffon set the scene ("Little Shop of Horrors") and comment on the action throughout the show. Seymour Krelborn is a poor young man, an orphan living in an urban skid row. Audrey is a pretty blonde with a fashion sense that leans towards the tacky. They lament their stations in life and the urban blight in their neighborhood ("Skid Row (Downtown)"). They are co-workers at Mushnik's Skid Row Florists, a run-down flower shop owned and operated by the cranky Mr. Mushnik. Seymour has recently obtained a mysterious plant that looks like a large venus flytrap. While he was browsing the wholesale flower district, a sudden eclipse of the sun occurred, and when the light returned, the weird plant had appeared ("Da-Doo"). Seymour is secretly in love with Audrey and names the plant Audrey II in her honor.

The plant does not thrive in its new environment and appears to be dying. Seymour questions why it should be doing poorly, since he takes such good care of it. He accidentally pricks his finger on a rose thorn, which draws blood, and Audrey II's pod opens thirstily. Seymour realizes that Audrey II requires blood to survive and allows the plant to suckle from his finger ("Grow for Me"). As Audrey II grows, it becomes an attraction and starts generating brisk business for Mushnik. As the caretaker of the plant, the timid Seymour is suddenly regarded as a hero ("Ya Never Know"), while Audrey secretly longs to leave her abusive boyfriend. Her dream is to lead an ideal suburban life with Seymour, complete with a tract home, frozen dinners, and plastic on the furniture ("Somewhere That's Green").

Meanwhile, the employees at Mushnik's are sprucing up the flower shop because of the popularity of the rapidly growing Audrey II and the revenue that it is bringing in ("Closed for Renovation"). Orin Scrivello, a sadistic dentist, is Audrey's abusive boyfriend. Modeled after the "Leader of the pack" characters of the 1950s, Orin drives a motorcycle, wears leather, and enjoys bringing other people pain ("Dentist!"). Orin encourages Seymour to take the plant and get out of Skid Row. Realizing that his store's sudden profitability is completely dependent on the plant (and therefore on Seymour), Mushnik takes advantage of Seymour's innocence by offering to adopt him and make him a full partner in the business. Having always wanted a family, Seymour accepts, even though Mushnik has always yelled at him and treated him poorly ("Mushnik and Son"). However, Seymour is having difficulty providing enough blood to keep Audrey II healthy. When Seymour stops feeding the plant, Audrey II reveals that it can speak. It demands blood and promises that, if fed, it will make sure that all of Seymour's dreams come true. Seymour initially refuses, but he then witnesses Orin abusing Audrey. The plant presents this as a justification for killing Orin. Not realizing that he is being manipulated again, Seymour gives in to his baser instincts and agrees ("Feed Me (Git It)").
He sets up a late-night appointment with Orin, intending to kill him. However, Seymour loses his nerve and decides not to commit the crime. Unfortunately for Orin, who is getting high on nitrous oxide, the gas device is stuck in the "on" position, and he overdoses while asking Seymour to save him. Seymour cannot bring himself to shoot Orin but lets him die of asphyxiation ("Now (It's Just the Gas)"). Seymour feeds Orin's body to the now huge Audrey II, and the plant consumes it with ravenous glee ("Act I Finale").

Act II

The flower shop is much busier, and Seymour and Audrey have trouble keeping up with the onslaught of orders ("Call Back in the Morning"). Audrey confides to Seymour that she feels guilty about Orin's disappearance, because she secretly wished it. The two admit their feelings for one another, and Seymour promises that he will protect and care for Audrey from now on ("Suddenly, Seymour"). The two plan to leave together and start a new life, although Seymour mistakenly attributes Audrey's feelings to his newfound fame, not realizing that she loved him even before he found the plant.

Before they can go, Mushnik confronts Seymour about Orin's death. Mushnik has put two and two together: the bloody dentist's uniform, the drops of blood on the floor, and he has seen Seymour and Audrey kissing. Seymour denies killing Orin, but Mushnik wants him to give a statement to the police, who have begun investigating. Audrey II tells Seymour that he has to be rid of Mushnik or he will lose everything, including Audrey ("Suppertime"). Seymour tells Mushnik that he put the days' receipts inside Audrey II for safekeeping. Mushnik climbs inside the plant's gaping maw to search for the money, realizing the deception too late, and screams as he is devoured. Seymour now runs the flower shop and reporters, salesman, lawyers and agents approach him, promising him fame and fortune. Although tempted by the trappings of his success, Seymour realizes that it is only a matter of time before Audrey II will kill again and that he is morally responsible. He considers destroying the plant but believing that his fame is the only thing that is earning him Audrey's love, he is unable to do so ("The Meek Shall Inherit").

As Seymour works on his speech for a lecture tour, Audrey II again squalls for blood. Seymour threatens to kill it just as Audrey walks in asking when Mushnik will return from visiting his "sick sister". Seymour learns that Audrey would still love him without the fame and decides that Audrey II must die after the scheduled LIFE magazine interview at the shop. Audrey is confused and frightened by Seymour's ramblings, but she runs home by his order. That night, unable to sleep and distressed by Seymour's strange behavior, Audrey goes to the flower shop to talk with him. He is not there, and Audrey II begs her to water him. Not sensing the mortal danger, she approaches to water it, and a vine wraps around her and pulls her into the plant's gaping maw ("Sominex/Suppertime II"). Seymour arrives and attacks the plant in an attempt to save Audrey. He pulls her out, but Audrey is mortally wounded and tells him to feed her to the plant after she dies so that they can always be together. She dies in his arms, and he reluctantly honors her request ("Somewhere That's Green" (reprise)). Seymour falls asleep as Audrey II grows small red flower buds.

The next day, Patrick Martin from the World Botanical Enterprises tells Seymour that his company wishes to take leaf cuttings of Audrey II and sell them across America. Seymour realizes the plant's evil plan: during the solar eclipse, Audrey II came from an unknown planet to conquer Earth. He tries shooting, cutting, and poisoning the plant, but it has grown too hardy to kill. Seymour, in desperation, runs into its open jaws with a machete planning to kill it from the inside, but he is quickly eaten. Patrick, Crystal, Ronette, and Chiffon search for Seymour. Not finding him, Patrick tells the girls to take the cuttings.

Crystal, Ronette, and Chiffon relate that, following these events, other plants appeared across America, tricking innocent people into feeding them blood in exchange for fame and fortune. Out of the fog, Audrey II, bigger than ever, appears with opened new flowers revealing the faces of Seymour, Audrey, Mushnik and Orin, who beg that, no matter how persuasive the plants may be, they must not be fed ("Finale Ultimo: Don't Feed the Plants"). Audrey II slithers towards the audience threateningly (In the original Off-Broadway production, plant tendrils fell all over the audience, as if each audience member were to be pulled into the plant, while in the Broadway production, a monstrously huge Audrey II was projected out over the fifth row and the balcony seats, as if it would eat the audience members).







Theatre: Cat on a Hot Tin Roof in Quakertown (October 1999)

Cat on a Hot Tin Roof is one of Tennessee Williams's best-known works and his personal favorite. The play won the Pulitzer Prize for Drama in 1955. Set in the "plantation home in the Mississippi Delta” of Big Daddy Pollitt, a wealthy cotton tycoon, the play examines the relationships among members of Big Daddy's family, primarily between his son Brick and Maggie the "Cat", Brick's wife. The play features motifs such as social mores, greed, superficiality, mendacity, decay, sexual desire, repression, and death. Dialogue throughout is often rendered phonetically to represent accents of the Southern United States. 

Cat on a Hot Tin Roof is the story of a Southern family in crisis, especially the husband Brick and wife Margaret (usually called Maggie or "Maggie the Cat"), and their interaction with Brick's family over the course of one evening's gathering at the family estate in Mississippi. The party is to celebrate the birthday of patriarch Big Daddy Pollitt, "the Delta's biggest cotton-planter”, and his return from the Ochsner Clinic with what he has been told is a clean bill of health. All family members (except Big Daddy and his wife, Big Mama) are aware of Big Daddy's true diagnosis: he is dying of cancer. His family has lied to Big Daddy and Big Mama to spare the aging couple from pain on the patriarch's birthday but, throughout the course of the play, it becomes clear that the Pollitt family has long constructed a web of deceit for itself. Maggie, determined and beautiful, has escaped a childhood of poverty to marry into the wealthy Pollitts, but finds herself unfulfilled. The family is aware that Brick has not slept with Maggie for a long time, which has strained their marriage. Brick, an aging football hero, infuriates her by ignoring his brother Gooper's attempts to gain control of the family fortune. Brick's indifference and his drinking have escalated with the suicide of his friend Skipper. Maggie fears that Brick's malaise will ensure that Gooper and his wife Mae end up with Big Daddy's estate.

Through the evening, Brick, Big Daddy and Maggie—and the entire family—separately must face down the issues which they have bottled up inside. Big Daddy attempts a reconciliation with the alcoholic Brick. Both Big Daddy and Maggie separately confront Brick about the true nature of his relationship with his pro football buddy Skipper, which appears to be the source of Brick's sorrow and the cause of his alcoholism. Brick explains to Big Daddy that Maggie was jealous of the close friendship between Brick and Skipper because she believed it had a romantic undercurrent. He states that Skipper took Maggie to bed to prove her wrong. Brick believes that when Skipper could not complete the act, his self-questioning about his sexuality and his friendship with Brick made him "snap". Brick also reveals that, shortly before he committed suicide, Skipper confessed his feelings to Brick, but Brick rejected him.

Disgusted with the family's "mendacity", Brick tells Big Daddy that the report from the clinic about his condition was falsified for his sake. Big Daddy storms out of the room, leading the party gathered out on the gallery to drift inside. Maggie, Brick, Mae, Gooper, and Doc Baugh (the family's physician) decide to tell Big Mama the truth about his illness and she is devastated by the news. Gooper and Mae start to discuss the division of the Pollitt estate. Big Mama defends her husband from Gooper and Mae's proposals. Big Daddy reappears and makes known his plans to die peacefully. Attempting to secure Brick's inheritance, Maggie tells him she is pregnant. Gooper and Mae know this is a lie, but Big Mama and Big Daddy believe that Maggie "has life". When they are alone again, Maggie locks away the liquor and promises Brick that she will "make the lie true".